Why care about all that shit on It's Nice That when you could look at Iranian outsider art. Davood Koochaki is my new hero, and this stuff is so, so good. Makes me what to draw and make drypoint etchings and celebrate being able to make pictures for no reason other than I can
(on a more technical note, so much to be learned about composition and character and tone from this work. It doesn't have to be lucid. It can be strange, lovely, dark, deep. Or silly. It can be anything. Pictures are powerful
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